I have had a checkered history of sorts when it comes to a career. In fact I would refrain from even calling it a career, considering I’ve been occupied in vocations as different from the other as skydiving and scubadiving, as also the fact that in none of them did I ever graduate to occupy the next level because by the time promotions came, so did our move – to a new town and a new workplace. Like most firsts, the first job has its own place in the memoryspace. My first job experience can be wrapped up well in the title of one of Shakespeare’s plays – Much Ado About Nothing. I remember it as a drone of some stunningly insipid tasks and celebration of some routine, unexciting results, which I am afraid to admit did not carry even an iota of achievement about itself.
I began with being an executive in a PR company, which translates to no more than being a clerk, following stories on the brands that you’re on, cutting and pasting them on a file, writing eulogies to the company’s credit, irrespective of it being eulogy-worthy. If the market share of the auto giant is nosediving, project it as an environment conscious, social citizen; if an upmarket restaurant is opening up, offer a few free lunches to the food writers (it’s a different story that there are no free lunches and you expect the eats to translate to real meat by way of a thumping praise for the restaurant in the foodies’ column); track down the scribes who’re following the corporate beat; breathe down their necks like any private bank’s loan-selling agent – in short, do everything to transform your computer printout into a newspaper story.
The journey of the text from the PR company’s desktop to the pale pages of the newspaper is somewhat like that of a superstar rising up from the gallows of anonymity to delirious stardom. However, unlike the superstar’s asiduity and charm in new releases, which helps him stay at the top of the charts, the corporate can not possibly churn out any bestselling idea at intermittent, if not regular, intervals to keep featuring on the financial pages now and then. So it was largely up to the weight-bearing PR mules to maintain the client’s popularity ratings and constantly endeavour to keep the name appearing on the pages in some context or the other.
Selling the press release was the most difficult, if not impossible, part. A PR story is not an advertisement which the company pays for. This is mere goodwill creation, keep throwing the company’s name into the financial pages of the newspaper, and you’ve earned the scraps from the giant who’s employed you as its PR agent. There’s nothing in it for the print or electronic medium unless it is a groundbreaking new product or philosophy, something exclusive that the newspaper or TV channel would give its right arm for.
Product launches, however, were easy times, all you needed to do was organise a press conference. You’d turn into an event manager, tie up with a hotel, become the courier for the invite to the journalists and the bait would be sound bytes from the company’s top men and a lavish spread of lunch. Interestingly the pivot for the success of the press conference, that is attendance from a huge number of publications and channels, would not be the exclusivity of the product or the stature of the brand ambassador. Instead it would be the stature of the venue and the exclusivity of the menu that would ensure the maximum footfalls.
Gruelling hours would be spent over deciding the venue, the invitees from the media, the delivery of the invites, the phone calls before sending out the invite, the phone call confirming the receipt of the invitation, the phone calls confirming the attendance, and then finally a plan outlining the execution from entry to exit. The pointers to success would be visible soon after the PR people occupied their places behind the desks handing out press releases before the conference begins. If a heavyweight journalist from a heavyweight publication walks in, half the battle is won. And even if the rest are from the light-weight category, it makes no difference, so long as all the seats are occupied and the client is made to feel that he’s got his money’s worth out of the sheer numbers of this congregation. But that’d be just a curtain-raiser, the real worth of the show would be the quantity and quality that would get covered and emerge the next day.
So like buyers of a lottery ticket hunting for one particular number, the next morning would be spent poring over newspapers to see the details of the press release. There would be surprises, some pleasant and some nasty – some newspapers, who the PR executives thought were putty in their hands had only a curt announcement of the brand launch, while the ones with attitude were singing paeans about the positioning, price and the promise of the product and how it would outdo its competitors in the near future.
Expressions would change from dejected to upbeat, accompanied with mild cursing and some exultation. The precious words from the papers would then be cut and pasted and filed for posterity in the voluminous folders made for the same – medals of gallantry in the visibility war. After the victory lap, people would start staking claim to a particular journalist’s presence at the conference or a half page description of the company’s plan or deride a colleague’s association with some newspaper crony where only six sentences have been published in spite of the gala event.
Spurred by the success the bosses would go advertising their achievement to the client. The client’s expression would remain fixed at some particle in space even after our bosses have got over with a rendition that would make Milton come out of his grave. But obviously the client knows that Milton is not enough and he wants some of Shelley and Shakespeare too as he wonders aloud, “I remember there was a journalist from X Times, why hasn’t the story featured in that newspaper?” The bosses open their mouths, shift about a bit in their chairs, give some vague answer and once again start mouthing words to get Milton out of his grave.
Hereafter, there would be an unending repititiveness to the whole process of clothing the client’s persona in different sheens and textures while the basic mannequin remained the same. At times, I would wonder, what are we trying to sell more, the face or the clothes. But time and again that is what we would end up doing, making our draping plea with a new-found grandiloquence at each step of our selling our non-seller strategem. Another act in the play titled, ‘Much Ado About Nothing’.
